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As Ariadne in Ariadne auf Naxos
Mariana Zvetkova was
simply stunning in the title role.
Her voice is huge, robust. A sonic
powerhouse, yet warm and feminine,
beautiful to hear, focused and
managed. With such a voice as hers,
one was enthralled to listen.
Charles H. Parsons
Opera - May 1997
Zvetkova sang die
Ariadne mit sicherem Gespür für Wort
- Ton - Bindungen in inbrüstiger
Trauer.
Christoph Vratz
Süddeutsche Zeitung
11.02.2002
Il Maestro Sinopoli
ha tolto ai lazzi ogni
strucchevolezza fondendoli con le
melodie Starussiane.
Bravissimi i cantanti...Il
soprano Mariana Zvetkova sa rendere
bene il fluido della melodia
Straussiana, aereo come in Mozart,
infinito come in Wagner.
Paolo Gallarati
La Stampa
10.04.2000
As Elisabeth in
Tannhauser
Mariana Zvetkova
als
Elisabeth, ist der Glanzpunkt der
Auffuhrung.
Sie überzeugt darstellerisch und
begeistert stimmlich bis in die
letzte Schwingung jedes Tones.
Karin Gustmann
Ostdeutsche Zeitung
Feb. 2001
As Leonora in
Il
Trovatore
Il Trovatore combines
love with vengence. As Leonora, a
noblewoman of the court of the
princess of
Aragon,
the vocally resplendent Mariana
Zvetkova, in her
Dayton
debut, proved to be a highly
proficient singer. Her top notes
filled Memorial Hall, while in the
more poetic passges, she uses lovely
pianissimos.
Andrew L. Flanagan
Kettering - Oakwood Times
1999
Soprano Mariana
Zvetkova, a native of
Bulgaria,
sings the demanding role of Leonora,
showing both vulnerability and
strength in her passionate
performance.
Carol Simmons
Dayton
Daily News
March 1999
As Amelia in Ballo in
Maschera
"A Masked Ball"
opened Michigan Opera's new season
saturday
night at the Detroit Opera
House...From a strictly vocal
standpoint, the production is
admirably cast, and the opera's
strongest episode worked well. The
act II midnight meeting at the town
gallows between the king (Eduardo
Villa) and Amelia (soprano Mariana
Zvetkova) interrupted by the
protective cobcern of the aide
(baritone C.Y. Liao) combined
gorgeous singing with a ghostly,
ominous atmosphere of spiritual
conflict and impending death.
Lauren B. Johnson
Detroit
News
October 2003
Acclaim in contests
Le sacre d'une grande
voix bulgare. A
la Halle aux
Grains, victoire incontestée de
Mariana Zvetkova.
Anne-Marie Chouchan
La Dépeche
Toulouse - 1998
Eblouissante dans
Puccini et Wagner, la soprano
bulgare enflamme la salle.
Nicolas Blanmont
La Libre Belgique
1996
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